In modern society, we have professionalized our care for the dying and deceased in hospitals and hospices, churches and funeral homes, cemeteries and mausoleums to aid dazed and disoriented mourners. But these formal institutions can be alienating and cold, leaving people craving a more humane mourning and burial process. The burial treatment itself has come to be seen as wasteful and harmful-marked by chemicals, plush caskets, and manicured greens. Today's bereaved are therefore increasingly turning away from the old ways of death and searching for a more personalized, environmentally reponsible, and ethical means of grief. Is the Cemetery Dead? gets to the heart of the tragedy of death, chronicling how Americans are inventing new or adapting old traditions, burial places, and memorials. In illustrative prose, David Charles Sloane shows how people are taking control of their grief by bringing their relatives home to die, interning them in natural burial grounds, mourning them online, or memorializing them streetside with a shrine, ghost bike, or RIP mural. Today's mourners are increasingly breaking free of conventions to better embrace the person they want to remember. As Sloane shows, these changes threaten the future of the cemetery, causing cemeteries to seek to become more responsive institutions. A trained historian, Sloane is also descendent from multiple generations of cemetery managers and he grew up in Syracuse's Oakwood Cemetery. Enriched by these experiences, as well as his personal struggles with overwhelming grief, Is the Cemetery Dead? is a remarkable and accessible tour of our new American way of death.

Drawn from the bestselling Clark's Positioning in Radiography, this pocket handbook provides clear and practical advice to help radiographers in their day-to-day work. Designed for rapid reference, it covers how to position the patient and the central ray, describes the essential image characteristics and illustrates each radiographic projection with a positioning photograph and a radiograph.

First published in 1939, Clark's Positioning in Radiography is the pre-eminent text on positioning technique for diagnostic radiographers. Whilst retaining the clear and easy-to-follow structure of the previous edition, the thirteenth edition includes a number of changes and innovations in radiographic technique. The text has been extensively updated, including a new section on evaluating images, The Ten Point Plan, which is linked throughout to Essential Image Characteristics for each procedure. The section on digital imaging has been expanded not only to elaborate more extensively on the technology but to demonstrate its various clinical applications. Students will also benefit from more detailed reference to positioning errors and how to avoid mistakes, as well as a greater emphasis on standard radiation protection measures and guidance on the most recent radiation dose reference levels for specific examinations.This new edition includes more anatomical drawings to support better understanding of radiographic anatomy, and brand-new positioning photographs reflecting the different approaches in technique using the variety of imaging platforms available in radiography departments. Clark's Positioning in Radiography will continue to be the definitive work on radiographic technique for all students on diagnostic radiography courses, radiographers in practice and trainee radiologists preparing for the FRCR or equivalent qualifying examinations.

This early work by Thomas Charles Sloane was originally published in 1907 and we are now republishing it as part of our Cryptofiction Classics series. 'The Pterodactyl' is a short story about a forgotten creature from a prehistoric age.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.